(1) Mazu and General Sees All and General Hears All
It is said that General Sees All and General Hears All had been brothers in life. The older brother, the one who could see vast distances, was named Gaoming; his brother, the one whose ears could pick up the faintest sounds for thousands of li, was named Gaojue.
These two brothers were generals, and in their final battle, they fought fiercely together before sacrificing their lives. Their spirits then floated up to Peach Blossom Mountain, where they became resident noxious demons that threatened any humans passing by.
When the goddess Mazu happened to travel through the area, the two demons appeared to her and demanded that she marry them. The goddess, of course, refused this outrageous command. Would she battle them? they asked. The loser would do the other's bidding; in this case, if Mazu lost, she would have to marry the pair. Mazu agreed and countered that if they, the demons, lost, they would become her attendants.
Both sides agreed to the terms and the duel was on!
With her matchless powers, Mazu trounced both fierce warrior demons in no time.
The demons had no choice but to keep their word. Thus, this how the green-faced demon Sees All and his red-faced brother Hears All came to be the goddess companions and servants!
Notes
from Shi Siwei, Taiwan minjian gushixuan, pp. 59-60.
It is said that General Sees All and General Hears All had been brothers in life. The older brother, the one who could see vast distances, was named Gaoming; his brother, the one whose ears could pick up the faintest sounds for thousands of li, was named Gaojue.
These two brothers were generals, and in their final battle, they fought fiercely together before sacrificing their lives. Their spirits then floated up to Peach Blossom Mountain, where they became resident noxious demons that threatened any humans passing by.
When the goddess Mazu happened to travel through the area, the two demons appeared to her and demanded that she marry them. The goddess, of course, refused this outrageous command. Would she battle them? they asked. The loser would do the other's bidding; in this case, if Mazu lost, she would have to marry the pair. Mazu agreed and countered that if they, the demons, lost, they would become her attendants.
Both sides agreed to the terms and the duel was on!
With her matchless powers, Mazu trounced both fierce warrior demons in no time.
The demons had no choice but to keep their word. Thus, this how the green-faced demon Sees All and his red-faced brother Hears All came to be the goddess companions and servants!
Notes
from Shi Siwei, Taiwan minjian gushixuan, pp. 59-60.
Mazu (Matsu) ("Ancestress Mother") is the Southeastern Chinese patron goddess of mariners and is also known as the "Holy Mother of Heaven" or "the Heavenly Empress." According to Lin Daoyuan, who classifies Mazu as a "folk religion deity," there are from 500 to 600 temples and shrines on Taiwan alone dedicated to her (Taiwan minjian xinyang shenming datu, 294.). Perhaps the most famous Mazu temple on Taiwan is the one located in Pei-kang (Beigang), which attracts many pilgrims. The Taiwan-administered island chain, the Matsu Islands north of Taiwan, though written with a slightly different character, is named for her, and a temple on one of the islets is believed to house her tomb. It also remains a destination for pilgrims. The major focus of pilgrims, however, remains the goddess's birthplace, Meizhou, Fujian Province, where she was born in circa 960 A.D., right at the inauguration of the Song Dynasty. She was named "Mo" ("silent") or "Moniang" ("Silent maiden") because in the first month of life she did not utter a cry. When Lin Moniang reached her twenty-third year (Liao Yuwen, Taiwan shenhua, 73), she ascended into heaven from a cloud-encased mountain peak and into the company of welcoming celestial and immortal children. Other sources place her age at twenty eight (Cang Dewu, Taiwan minjian gushi, 133; Shi Siwei, Taiwan minjian gushixuan, 55), while Lin Daoyuan states she perished in a typhoon at the age of twenty seven (295). In any case, she would later appear on the seas during storms, aiding those in distress.
Another legend about Mazu, "The Story of Yishan Island," can be found at 3/28/08.
I didn't attempt to translate literally the Chinese names for "General Sees All" and "General Hears All"; instead, I freely translated their respective names (Qianliyan, "Eyes that see for a thousand li," and Shunfeng'er, "Ears that hear with the flow of the wind") to capture what the original names in Chinese imply. Their names have come down into modern parlance to mean "foresighted," "shrewd," or even "telepathic" (qianliyan) and "illuminated" or "enlightened" (shunfeng'er). Two excellent wooden images of the generals can be found inside Tainan's Heavenly Empress Palace (Daitian hougong), also known as the Tainan Mazu Temple; here, the Qianliyan statue is green-skinned, while Shunfeng'er is red, as are other statues of the generals elsewhere on Taiwan. (Shi Cuifeng reverses their colors; Taiwan minjian gushixuan, 53.) These two beings first come into history by appearing in the well-known Ming Dynasty epic Journey to the West, where they are depicted as the "eyes" and "ears" of the Jade Emperor, informing him of what is going on in the world (Chou Hongwei, Zhongguo minjian xinyan fengsu cidian, 127). Probably not coincidentally, "Gaoming" means "high brilliance," "great wisdom," and/or "profound brightness (of the eyes)," while "Gaojue" means "great perception" and/or "great sensitivity."
(2) Mazu's Iron Horse
By the time she was nineteen, Lin Moniang had already witnessed many maritime tragedies--lives being lost in sudden storms and typhoons--and each time she saw such an occurrence, it always broke her heart. Most heart-wrenching for her was a tsunami that suddenly hit Meizhou Island one autumn day, sweeping out to sea more than ten fishing boats and over a hundred souls.
Lin Moniang continued to mourn the disaster that had hit her close-knit community. She soon fell very ill as a result and became confined to her bed.
One day, some time between afternoon and early evening, Lin Moniang was sleeping when she was suddenly awoken by whinnying. That was odd, for there were no horses on this island of fishing families. Whenever the island residents had to travel, they took to their boats and headed for the mainland. Who on this island would have any use for a horse? Lin Moniang herself had never even beheld a real horse, only the ornamental majestic iron horse placed near the village during some long ago dynasty, the iron horse which continually stood under a banyan tree.
Lin Moniang went back to sleep.
Late the next afternoon, still very ill in bed, Lin Moniang again heard the telltale whinnying of what could only be a vigorous horse. Her curiosity had now gotten the better of her, prompting her to put her illness and weakness out of her mind.
The next day, at sundown, Lin Moniang was ready. She had lain on her bed for most of the day in her clothes, preparing to get up at a moment's notice. At the first sound of neighing, she climbed out of bed and made it to the door, which she opened.
She listened.
Yes, it must be a horse; there was no other creature on the island that could make such a sound. The noise seemed to be coming from the grove of banyan trees just beyond the village. As ill as she was, she crept outside and headed for the banyan trees, in particular the tree under which stood the iron horse.
There stood the iron horse, motionless, gleaming in the moonlight.
Lin Moniang approached the horse and stroked its neck and metal mane.
She stepped back--the horse was now warm flesh, covered by a downy fuzz! Its eyes blinked as it boldly snorted a ball of warm air, its tail, gently switching.
Startled but also happily excited, Lin Moniang put her arms around the horse's neck and climbed up onto its back. She gently patted the horse. It then gave off a loud neigh, raised its head and took off like a ray of light, heading for the boundless sea!
Lin Moniang discovered she could guide the horse's direction by pointing. When she folded her five fingers, the horse would come to a stop.
The future goddess Mazu, Lin Moniang, was jubilant and filled with hope, for with this horse, she could go to any friend or family member needing rescue at sea.
Dawn was approaching. Lin Moniang guided the iron horse back to its original spot beneath the banyan tree. She dismounted the steed and gently stroked its neck, allowing its soft flesh to return instantly to a metallic state.
From that day on, Lin Moniang patrolled the ocean off the coast of the island while riding the iron horse, rescuing all--be they fishermen, traders or passengers--who found themselves struggling to survive upon the unfriendly sea.
It is said that when Lin Moniang ascended into heaven, the iron horse went with her.
from Mazude chuanshuo (Legends about Mazu), Wang Wulong, ed.; Fuzhou: Haixia Wenyi Chubanshe, pp. 27-28.
Few animals in world myths and legends can compete with the horse in abundance of symbols. Depending on the culture, horses may represent frenzy, male vitality, the underworld (as psychopomps), nobility, the sun, and flowing water (e.g., springs). Ancient Chinese myth has its share of flying horses. The Shanhaijing, composed sometime between the end of the Period of Warring States (221 B.C.) and the beginning of the Han Dynasty (206 B.C.), a compendium of fabulous beasts, lists a "heavenly horse," a winged creature with the head of a dog that would fly away upon being observed by people (Yuan Ke, Zhongguo shenhua chuanshuo cidian, 63).
Motifs: B41.2, "Flying horse"; cD1626.1, "Artificial flying horse."
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